Volvo gained great publicity when, in 1961, they supplied a Volvo P1800 sport cars to ITC for their new TV series "The Saint". Based on the books of Leslie Charteris it stared Roger Moore. Volvo only too happy to supply a white car when Jaguar wouldn't supply an E Type.The first car supplied was a Jensen built Volvo registered 71 DXC. This car was used between 1961 and 1964. Volvo supplied another car in 1964, 77 GYL which was updated as the production model changed. It was fitted with Minilite wheels and altered bumpers. Two more cars where supplied NUV 647E and NUV 648E, one being used for filming and the other by Roger. The car on display in the museum is 77 GYL restored back to its original state. The photograph shows NUV 648E wearing a false number plate.
Sunday, November 9, 2008
The Prisoner - Lotus Super Seven
While filming an episode of "Danger Man" at the fantasy village of Portmeirion, North Wales in 1965, Patrick McGoohan conceived the idea of a series about a secret island village where former government agents were kept imprisoned. McGoohan himself played the non-conformist prisoner No. 6, who struggles relentlessly to crack the system. One of the main hallmarks of the series is the green and yellow Lotus Super Seven, driven by McGoohan before he is wisked away to the village. The transport in the village was provided by a fleet of brown and white Mini Moke taxis. The museum also owns a replica of one of these taxis.
Television Cars
Even a million pound Bugatti could not create as much interest as the comical little car. Why? Because this is none other that the actual Trotters Independent Trader Reliant Regal Super Van! Pride and joy transport of those lovable rascals Del Boy and Rodney (two CSE's, if you don't mind) Trotter. These hilarious characters star in John Sullivan's highly succesful BBC comedy series "Only Fools and Horses".
TV Car
The Munsters live at 1313 Mockingbird Lane in an impressive cobweb covered Gothic mansion. Father Herman is the head of the household. He is 7ft tall and bears a very close resemblance to Frankenstein's Monster. Lily his wife displays a touch of vampire about her, while their son Eddie has a great affinity towards werewolves. Other members of the family are Grandpa, who obviously a descendant of Count Dracula of Transylvannia and Marilyn who, is remarkably normal. Herman drives a rather special car "The Koach". This is a hot rod based on a lengthened 1923 Model T chassis with custom body and a massive Ford Cobra engine. It has Jahns high dome pistons and an Isky Cam and is fuelled through ten carburettors with huge gold plated intake pipes. The car on display is the actual original Munster Koach used in the world famous 60's TV series based around the Munster family. In the 70's the car toured the USA extensively and George Barris, its creator, gave the car a new paint scheme which it still displayed today.
The Munsters live at 1313 Mockingbird Lane in an impressive cobweb covered Gothic mansion. Father Herman is the head of the household. He is 7ft tall and bears a very close resemblance to Frankenstein's Monster. Lily his wife displays a touch of vampire about her, while their son Eddie has a great affinity towards werewolves. Other members of the family are Grandpa, who obviously a descendant of Count Dracula of Transylvannia and Marilyn who, is remarkably normal. Herman drives a rather special car "The Koach". This is a hot rod based on a lengthened 1923 Model T chassis with custom body and a massive Ford Cobra engine. It has Jahns high dome pistons and an Isky Cam and is fuelled through ten carburettors with huge gold plated intake pipes. The car on display is the actual original Munster Koach used in the world famous 60's TV series based around the Munster family. In the 70's the car toured the USA extensively and George Barris, its creator, gave the car a new paint scheme which it still displayed today.
Sunday, September 7, 2008
The Star
Twinkle, twinkle, little star!
How I wonder what you are,
Up above the world so high,
Like a diamond in the sky.
When the blazing sun is gone,
When he nothing shines upon,
Then you show your little light,
Twinkle, twinkle all the night.
The dark blue sky you keep
And often thro' my curtains peep,
For you never shut your eye
Till the sun is in the sky.
Tis your bright and tiny spark
Lights the traveler in the dark;
Though I know not what you are
Twinkle, twinkle, little star!
How I wonder what you are,
Up above the world so high,
Like a diamond in the sky.
When the blazing sun is gone,
When he nothing shines upon,
Then you show your little light,
Twinkle, twinkle all the night.
The dark blue sky you keep
And often thro' my curtains peep,
For you never shut your eye
Till the sun is in the sky.
Tis your bright and tiny spark
Lights the traveler in the dark;
Though I know not what you are
Twinkle, twinkle, little star!
A Silent Voice
The situation seemed hopeless.
From the first day he entered my junior-high classroom, Willard P. Frank- lin existed in his own world, shutting out his classmates and me, his teacher. My attempts at establishing a friendly relationship with him were met with complete indifference. Even a “Good Morning Willar” received only an inau- dible grunt. I could see that his class- mates fared no better. Willard was strict- ly a loner who seemed to have no desire or need to break his barrier of silence.
Shortly after the Thanksgiving holi- day, we received word of the annual Christmas collection of money for the less fortunate people in our school district.
“Christmas is a season of giving,” I told my students. “There are a few students in the school who might not have a happy holiday season. By contributing to our Christmas collection, you will help buy food, clothing and toys for these needy people. We start the collection tomorrow.”
When I called for the contributions the next day, I discovered that almost everyone had forgotten. Except for Willard P. Franklin. The boy dug deep into his pants pockets as he strolled up to my desk. Carefully, he dropped two quarters into the small container.
“I don’t need no milk for lunch,” he mumbled. For a moment, just a mo- ment, he smiled. Then he turned and walked back to his desk.
That night, after school, I took our meager contributions to the school principal. I couldn’t help sharing the incident that had taken place.
“I may be wrong, but I believe Willard might be getting might be getting ready to become a part of the world around him,” I told the principal.
“Yes, I believe it sounds hopeful,” he nodded. “And I have a hunch we might do well to have him share a bit of his world with us. I just received a list of the poor families in our school who most need help through the Christmas collection. Here, take a look at it.”
As I gazed down to read, I dis- covered Willard P. Franklin and his family were the top names on the list.
From the first day he entered my junior-high classroom, Willard P. Frank- lin existed in his own world, shutting out his classmates and me, his teacher. My attempts at establishing a friendly relationship with him were met with complete indifference. Even a “Good Morning Willar” received only an inau- dible grunt. I could see that his class- mates fared no better. Willard was strict- ly a loner who seemed to have no desire or need to break his barrier of silence.
Shortly after the Thanksgiving holi- day, we received word of the annual Christmas collection of money for the less fortunate people in our school district.
“Christmas is a season of giving,” I told my students. “There are a few students in the school who might not have a happy holiday season. By contributing to our Christmas collection, you will help buy food, clothing and toys for these needy people. We start the collection tomorrow.”
When I called for the contributions the next day, I discovered that almost everyone had forgotten. Except for Willard P. Franklin. The boy dug deep into his pants pockets as he strolled up to my desk. Carefully, he dropped two quarters into the small container.
“I don’t need no milk for lunch,” he mumbled. For a moment, just a mo- ment, he smiled. Then he turned and walked back to his desk.
That night, after school, I took our meager contributions to the school principal. I couldn’t help sharing the incident that had taken place.
“I may be wrong, but I believe Willard might be getting might be getting ready to become a part of the world around him,” I told the principal.
“Yes, I believe it sounds hopeful,” he nodded. “And I have a hunch we might do well to have him share a bit of his world with us. I just received a list of the poor families in our school who most need help through the Christmas collection. Here, take a look at it.”
As I gazed down to read, I dis- covered Willard P. Franklin and his family were the top names on the list.
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